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EPK: Biography
Bronx born Bobby Matos began playing music beating on pots
and pans in Grandma’s apartment and went on to backstage
informal lessons with conga drum masters Patato Valdez and
Mongo Santamaria.
His first gigs were in the early ˜60’s “beat
'" bohemian “ Greenwich Village Cafes, but he soon
found himself playing in every type of venue; from Bronx dance
halls to Carnegie Hall, to elegant supper clubs, Central Park
Concerts, Off Broadway theaters, and ˜After Hours”
clubs in El Barrio.
He was inspired and encouraged to play timbales by Willie
Bobo and Tito Puente, and in the late ˜60s attended the
New School and Manhattan School of Music studying composition
and arranging. Around this exciting time for Latin Music in
N.Y., he recorded “My Latin Soul” for Philips
Records. This recording eventually became a much prized cult
classic influencing many ˜70’s and ˜80’s
Acid Jazz groups on both sides of the Atlantic...
After touring and recording with artists like Ben Vereen,
Bette Midler, Fred Neil, Jim Croce, Ray Rivera, Joe Loco,
Miriam Makeeba, and many others, Bobby relocated to Los Angeles
where he began experimenting with an Afro Cuban Jazz band
where he could blend (and bend) musical elements from Miles
Davis, John Coltrane, Tito Puente, Mongo Santamaria, Wayne
Shorter, Eddie Palmieri, and the rich legacy of Afro Cuban
music.
In the ‘80’s and ‘90’s, he recorded
several albums, most notably 5 critically acclaimed CDs for
Ubiquity Records’ “Cubop” label. He also
produced CDs for Ray Armando, Pucho and the Latin Soul Brothers,
Dave Pike, John Santos, and Jack Costanzo. In 2004 he released
the critically acclaimed "Made By Hand", a live
recording on the artist’s collective Life Force Jazz
records,
Bobby continues recording and releasing new music on the LifeForce
Jazz imprint including "Acknowledgement" 2005, "Charanga
Chango" 2006, and "Gratitude" 2007.
Mambo, Bembe, and Jazz Latino represent healing energy, meditation,
and medicine encoded as music. When musicians listen and communicate
with each other and their audience on this spiritual level,
the music becomes much more than a performance.
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